Vertical Slice

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Gameplay loops are the repeatable circuits of motivation, action, and reward from which player experience arises. The best designers understand how to weave and layer these loops with great dexterity, crafting nested structures that suffuse every moment of gameplay with multiple layers of goals and challenges. What are the principles behind this kind of impressive design feat? In Episode 28 of Vertical Slice we’re circling up on this fascinating question, and tracing the clever interactive orbits that spin beneath the surface of the most vibrant games.

Show Notes

• The PS4 remake of Ratchet and Clank is a worthy reinvigoration of the PS2 classic, and a great example of what it means to bring real heart to a remaster.
• Just in case your game backlog is dipping into the mere hundreds of hours: Pillars of Eternity is coming to the PS4 and Xbox One in late August.
• Subset Games, maker of the excellent and startlingly challenging starship simulator FTL, is working on a new strategy game titled Into the Breach.
• Jaime Griesemer’s famous concept of “30 seconds of fun” elegantly captures the essence of designing compelling gameplay loops.
• The lean startup concept of “Minimum Viable Product” is a fruitful lens for rigorous game design.
• Ticket to Ride and Don’t Starve are great examples of “Minimum Viable Gameplay Loops” driving highly successful games.
• Fallout 4’s settlement system illustrates the opportunities and challenges of augmenting a game’s core gameplay loop with substantially divergent sub-loops.

Image credit: Flare

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In the parlance of game design, balance refers to the equilibrium between a game’s component parts: that carefully tuned web of relationships between goals, systems, and challenges from which fun is intended to arise. Skillfully balanced games ride the lines between challenge and frustration, investment and grind, in ways that can appear effortless, but in fact require keen design intuition and dexterity. So how does the delicate dance of balancing a game work? On this, the one-year birthday episode of Vertical Slice, Chris and Derek are joined by veteran game designer Stone Librande to discuss the nuanced process of guiding a game towards a state of well-calibrated fun.

Show Notes

• Stone’s archive of professional talks and personal game designs: Stonetronix Designs.
• game < design (GDC 2015): Stone discusses the importance of the sometimes under-considered design half of game design
• 19 Games in 19 Years (Guldbrikken 2014): Nineteen of Stone’s personal game projects, created to entertain his sons as they grew from the ages of 3 to 22
• Simulating a City – One Page at at Time (GDC 2013): A view of Stone’s design process during the development of SimCity (2013)

Image credit: Greg Hewgill

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E3, the Electronic Entertainment Expo, is a marquee event on the game industry’s annual calendar, offering publishers and platform holders a lavish stage for unveiling their latest offerings. Amidst the elaborate sets, bombastic presentations, and resplendent swag it can be difficult to separate hype from reality. Which games will inspire and which will disappoint in the year ahead? On Episode 26 of Vertical Slice Chris and Derek distill the key highlights from this year’s show, and offer their predictions on which upcoming titles will have the substance to back up the sizzle.

Show Notes

• At long last: Metroid: Samus Returns is bringing the 2D heart of the franchise back to the 3DS.
• Metroid Prime 4 is confirmed in development for the Nintendo Switch. The announcement trailer is as minimal as they come, but the return of that iconic, squidgy Metroid sound alone is enough to gladden the hearts of franchise fans everywhere.
• The Super Mario Odyssey official gameplay trailer is a pastiche of the familiar and the new, with motifs ranging from classic Mario to photorealistic dinosaurs.
• Against all odds, the Mario + Rabbids Kingdom Battle’s announcement trailer actually looks somewhat intriguing. However, Derek remains skeptical that the Rabbids franchise has anything meaningful to offer to the Mario universe.
• Ni No Kuni II: Revenant Kingdom is coming to the PS4 this fall, bringing the beloved Level 5/Studio Ghibli collaboration to a much broader audience of gamers.
• Moss, for PlayStation VR, has the kind of evocative announcement trailer that really gets us excited. The game looks to blend gameplay and thematic elements from sources including Brothers: A Tale of Two Sons, Redwall, and Ori and the Blind Forest, and we think it has great potential.
• The vaunted classic Shadow of the Colossus is coming to the PS4, much to the delight of gamers of all stripes. We still wish we could make friends with the Colossi, however.
• BioWare’s Destiny competitor Anthem received a lot of attention with its flashy announcement trailer, but haven’t we seen this story before? The trailer bears more than a passing similarity to The Division’s now infamous “gameplay” reveal, and calls to mind all the same hazards of over-promising a lush open world experience.
• The makers of Brothers: A Tale of Two Sons are bringing their innovative gameplay sensibility to a more mature game: A Way Out, published by EA Originals. The idea of a mandatory co-op game is intriguing, but seems as though it could be very challenging to execute.

Image credit: Entertainment Software Association (ESA)

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Great games come in many forms, from incremental riffs on familiar genres to radical explorations of untouched design spaces. The creative tension between the poles of iteration and innovation animates much of game design, and the ability to negotiate these currents is a feature that can elevate truly inspired concepts above others. On Episode 25 of Vertical Slice we’re discussing the subtle art of blending new design elements with the familiar, and discovering how worthwhile breakthroughs can actually come from many points on the iteration/innovation continuum.

Show Notes

• Chris has been exploring educational games and finding that great titles are surprisingly hard to find. Bobo Explores Light is one old but venerable title that demonstrates true educational innovation.
• Everything, by David OReilly, is a great recent example of a game that (successfully) tosses out familiar design conventions in favor of something altogether different.

Image credit: David OReilly

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Every new game comes with a learning curve: a new set of systems and mechanics that players must understand to get the most out of their play. Naturally then, the question of how to craft compelling tutorials and on-boarding experiences is an ever-present challenge in game design. On Episode 24 of Vertical Slice, we’re setting out to understand what separates the best tutorials—those rare first-hour experiences that pull players deeply into a game’s systems and challenges—from their less inspired counterparts. Let’s see what we can learn!

Show Notes

• Chris is loving the challenge and pacing of Steam’s latest multiplayer hit: PlayerUnknown’s Battlegrounds.
• Derek is excited about Gwent, CD Project Red’s new Witcher-based collectible card game, now in open beta on PC, PS4, and Xbox One.
• George Fan’s seminal GDC talk, How I Got My Mom to Play Through Plants vs Zombies, is a superb starting point for learning how to design effective new player experiences.
• Axis & Allies is a great example of how board games can use compelling physical design to draw players into the learning process.
• Dwarf Fortress is perhaps the ultimate example of ignoring player instruction altogether. Sometimes there’s something to be said for letting players figure it out the hard way!

Image credit: Örlygur Hnefill

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The enjoyment of collecting things we value is a feeling many of us can relate to. Modern game design has found much inspiration in this simple pleasure, and collection mechanics are now a frequent feature in games of all genres. Collectibles can be used to create lightweight metagames that widen a game’s objectives; to reveal elements of a narrative in unique and interactive ways; or even to underpin a game’s core metaphors and mechanics, as in collectible card games. On Episode 23 of Vertical Slice we’re packing all these possibilities and more into a comprehensive tour of collectibles in game design. Let’s bust open some packs and sort through the common, rare, and legendary features of this fascinating design space.

Show Notes

• Indie kickstarter title Prey for the Gods has changed its name to “Praey for the Gods” to avoid a trademark battle with Bethesda Softworks/Zenimax, publisher of the AAA game Prey.
• The Pokémon Trading Card Game Online expands classic Pokémon card battles to the virtual format. If you’re a Pokémon card fan this one is worth a try!
• Take the time to watch this Magic: The Gathering pack opening and you will be rewarded with a reaction of truly legendary rarity. Prepare yourself for the Black Lotus.

Image credit: Minh Hoang

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Randomness in game design is a powerful double-edged sword. On the one hand, variation and surprise are cornerstone elements of fun, and carefully calibrated randomness can cultivate both of those experiences. Contrastingly, too much randomness can make a game’s underlying design feel chaotic, and alienate players through “unfair” or unforeseeable outcomes. So: how much random is the right amount? On Episode 22 of Vertical Slice we’re grabbing our dice and rolling into this fascinating design territory, examining the psychology of randomness in both analog and digital games.

Show Notes

• If you are a Pokémon or Magic: The Gathering player looking for the most thorough, minutely detailed reviews of card collecting gear imaginable, the Professor has you covered.
• Sony’s game streaming service, PlayStation Now, is a great way to catch up on classic PS3 games on either PS4 or PC.
• Hearthstone streamer and commentator Kripparrian offers a sensible critique of random card generation effects in the game and their effect on its skill cap.

Image credit: Fox Wu

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Generations of gamers have grown up with the Legend of Zelda, bonding over the decades with iconic titles like A Link to the Past, The Ocarina of Time, The Wind Waker, and Twilight Princess. Now a new Zelda adventure is afoot: one whose critical and commercial success has been extraordinary even by the franchise’s outsized standards. The Legend of Zelda: Breath of the Wild has garnered nearly universal acclaim since its March release, with many critics unhesitatingly nominating it as one of the best games ever created. On Episode 21 of Vertical Slice we’re journeying into the wilderness of this extraordinary adventure, and discussing the alchemical mix of aesthetics, gameplay, and discovery that make Breath of the Wild such a special game.

Show Notes

• Breath of the Wild stands at a stunning 97 average on Metacritic.
• Breath of the Wild’s attachment rate for the Nintendo Switch has exceeded 100%.
• Digital Foundry’s comparison of Breath of the Wild running on the Switch and the Wii U shows that the Wii U does an excellent job of keeping up with its big brother.

Image credit: Nintendo

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It’s been one year since the HTC Vive and the Oculus Rift kicked off the era of consumer-ready VR devices. Twelve months in, what can we say about the opportunities and challenges of this new technology? In this episode we’re discussing the present state and future trajectory of VR with two veterans in the space: Andy Moore and Dr. Kim Voll. Among their many professional accomplishments, Andy and Kim are two of the co-creators of the award-winning HTC Vive game Fantastic Contraption, and experts in both the human and technological dimensions of VR technology. Let’s find out what the next phase of VR’s evolution has in store!

Show Notes

• Official site for Radial Games, Andy and Kim’s independent game studio
• Andy and Kim were part of the team that brought Fantastic Contraption to life on the HTC Vive.

Image credit: Northway Games

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When we think about the challenges of making games we tend to focus on elements of the craft like gameplay design, technical artistry, and engineering. It’s easy to forget the even more fundamental challenge that arches over all of these details: the challenge of leadership. Great leaders amplify the reach and confidence of their teams with communication, respect, and strong purpose; bad leaders can squander strong ideas by allowing chaos to infiltrate the process. So: what makes for a great creative leader? At the 2017 Game Developer’s Conference, respected game designer and studio leader Jesse Schell articulated a striking answer to this question in his talk, “Game Studio Leadership: You Can Do It.” On Episode 19 of Vertical Slice we’re discussing our reactions to Schell’s excellent talk, and deepening our understanding of what it really means to lead a creative team.

Show Notes

• The slides from Jesse Schell’s talk, “Game Studio Leadership: You Can Do It”, are available from the GDC vault.
• Jesse Schell’s professional website
• The Switch’s launch has been a spectacular success for Nintendo. SuperData estimates that approximately 1.5M Switch consoles were sold during the system’s first week.
• The only smudges on the Switch’s launch week have come from reports of hardware defects and build quality issues ranging from dead pixels and de-syncing JoyCons to screens allegedly scratched by the system dock.
• Some creative Switch owners are experimenting with USB-C extension cables and Switch cozies as ways of protecting their screen from any potential dock malfeasance.

Image credit: Sandra Mallinson